Tag Archives: First Nations

Indigenous Peoples Cultural Leader Philip H. Red Eagle on KAOS 89.3

Philip H. Red Eagle is of Salish and Dakota ancestry and was born and raised in the Pacific Northwest. He is a published writer, canoe carver, publisher, editor, arts critic, educator, storyteller, museum curator, art gallery curator and cultural activist.

Mr. Red Eagle is one of the founders of the “Canoe Movement,” which has grown from a few canoes and fifty people in the early 1990s to over 100 canoes and over 6,000 people, a…nnually. The success of this movement, which has come to be called Tribal Journeys, is evident not just in its rapid growth, but also in its effectiveness as a method of cultural renewal among the native peoples of the Pacific Northwest. Mr. Red Eagle has performed the canoe journey’s Copper Ring Ceremony since 1995 and makes each ring by hand. The current count is 4,500 rings given in this contract ceremony, which calls for no alcohol, no drugs, no violence and no sex during the journey. The ceremony has proven to be one of the successful elements of teaching the Canoe Way of Knowledge. The ceremony inspires both the young and old to make changes in their lives and to commit to year-round sobriety and nonviolence.

The second edition of Mr. Red Eagle’s novel, Red Earth: A Vietnam Warrior’s Journey, was published in 2007. Red Earth is written in an American style of writing called Mythical Realism. The book contains two novellas dealing primarily with the Vietnam War, Post Traumatic Stress Disorder (P.T.S.D.) and the difficulties of coming home from war. Mr. Red Eagle served in the Navy from 1967 to 1976, where he attained the rank of Petty Officer First Class as a Machinists Mate (E-6). He served onboard two destroyers on two separate West-Pac deployments to Vietnam. His service included eighteen months In-Country Vietnam up the Nha Be River as a riverboat mechanic (1970-71).

Mr. Red Eagle has two bachelor degrees from the University of Washington, Seattle: a BFA in Metal Design from the School of Art (1983) and a BA in Editorial Journalism from the School of Journalism (1987).

Mr. Red Eagle’s presentation is sponsored by the Department of American Indian Studies and the Office of Academic Affairs. It is free and open to the public. Mr. Red Eagle’s book will be available for purchase and signing at the event. For more information, contact Dr. Jane Haladay at haladayj@uncp.edu.

Please join us for a screening of “Canoe Way: the Sacred Journey” with a discussion afterward with Philip Red Eagle (Dakota/Salish), founding member of the Northwest Canoe Movement. Monday, March 22, 6:30 p.m. in the Native American Resource Center.

A description of the film from its website (http://canoeway.org/) explains that: “‘Canoe Way: The Sacred Journey’ documents the annual Tribal Journeys of Pacific Northwest Coast Salish people. Indigenous tribes and First Nations from Oregon, Washington, Canada, and Alaska follow their ancestral pathways through the waters of Puget Sound, Inside Passage and the Northwest Coast. Families and youth reconnect with the past and each other. Ancient songs, dances, regalia, ceremonies, and language were almost lost and are coming back. Witness first hand, through the words and images of a proud people, as they share the story of the resurgence of the cedar canoe societies – and how it has opened a spiritual path of healing through tradition.”

photo by :readme.readmedia.com
http://readme.readmedia.com/Indigenous-Peoples-Cultural-Leader-Philip-H-Red-Eagle-to-Speak-on-March-31/1199457

TIME FOR CHANGE -A Voice for Mother Earth- with Tiokasin Ghosthorse

Tiokasin Ghosthorse: Tiokasin Tasunke Wanagi Oyate Tokaheya Wicakiye:
(“Ghosthorse” “Spirit Coming In” “He Places the People First”)

First Voices Indigenous Radio

Tiokasin Ghosthorse is from the Cheyenne River Lakota (Sioux) Nation of South Dakota. He holds a Masters Degree in Native American studies and Communications. He is a storyteller, poet, university lecturer, scholar, essayist, cultural interpreter, and a peace and human rights activist. Tiokasin has been described as “a spiritual agitator, natural rights organizer, Indigenous thinking process educator and a community activator.” One reviewer called him “a cultural resonator in the key of life.”

Politics for the Lakota is spiritual and is not separate from the rest of life. The issues are profound: What does it mean to be human, to be a human being? What does it mean to be civilized? Indigenous peoples are after an inclusive politics, an inclusive world. There is no word for “exclusion” in Lakota and there is no word for “me” or “I”. The responsibility of living within this worldview are far-reaching, from the beginnings of Life itself. This way of knowing and of being must be learned by all who walk with Mother Earth.

Tiokasin has had a long history in Indigenous rights activism and advocacy. He spoke, as a teenager, at the United Nations Conference on Human Rights International Covenant on Economic, Social, and Cultural Rights in Geneva, Switzerland. He has supported or participated in many of the major occupations including Wounded Knee, South Dakota, in 1973, as well as Lyle Point, Washington, Western Shoshone, Nevada, and Big Mountain, Arizona. Ever since his UN work, he has been actively educating people who live on Turtle Island (North America) and overseas about the importance of living with each other and with the earth.

He is a survivor of the “Reign of Terror” from 1972 to 1976 on the Pine Ridge Lakota Reservation, and the U.S. Bureau of Indian Affairs Boarding and Church Missionary School systems designed to “kill the Indian and save the man.”

Tiokasin is the host of First Voices Indigenous Radio for the last 18 years, 8 in New York and 10 in Seattle/Olympia, WA.

Tiokasin Ghosthorse is also a master musician, having played and a teacher of magical, ancient and modern sounds. He is one of the great exponents of the ancient red cedar Lakota flute, and plays traditional and contemporary music, using both Indigenous and European instruments. He has been a major figure in preserving and reviving the cedar wood flute tradition and has combined “spoken word” and music in performances since childhood. Tiokasin performs worldwide and has been featured at the Cathedral of Saint John the Divine, Lincoln Center, Madison Square Garden and the Metropolitan Museum of Art and at the United Nations as well as at numerous universities and concert venues. He is a maker of flute and drums.

November is American Indian Heritage Month

November is  American Indian Heritage Month 
      ”Whatever the future holds, do not forget who you are. Teach your children, teach your children’s children, and then teach their children also. Teach them the pride of a great people … A time will come again when they will celebrate together with joy. When that happens my spirit will be there with you.” -Chief Leschi, Nisqually

The Music of Keith Secola and Wild Band of Indians on KAOS 89.3 FM

“The human race, is the face of all people, different tongues, one heart.”–KEITH SECOLA


Join Raven and his guest Keith Secola on November 7th, 2010 and share in the stories and songs of Keith Secola and Wild Band of Indians.


Native folk & blues rocker Keith Secola is an accomplished artist: award-winning musician, master guitarist and native flute player; singer, songwriter, composer and producer. His music is familiar to thousands of fans across North America and Europe, where he’s been playing his brand of progressive music in concerts to a cult following for many years. Keith’s famous song, “NDN Kars”, is considered the contemporary Native American anthem and is the most requested song on Native radio in the US and Canada. Keith Secola is Anishinabe (Ojibwa) originally from the Mesabi Iron Range country of northern Minnesota, now residing in Arizona. He’s a member of the Anishinabe Nation of northern Minnesota and southern Ontario, Canada.

Keith Secola is a seven-time Native American Music Awards winner receiving numerous Nammy nominations in various categories. Winner: Artist of the Year, Best Linguistic Recording, Best Folk/Country Recording, Best Producer, Best Instrumental Recording, Best Blues/Jazz Recording, Best Independent Recording; with nominations for Songwriter of the Year, Record of the Year, Song/Single of the Year, Best Historical Recording.

DATE: Sunday November 7th, 2010

Time: 5:00pm – 6:00pm

Location: KAOS 89.3 FM

KAOS is a non-commercial, community radio station broadcasting at 89.3 FM in the South Sound area of Washington state. The station is located on The Evergreen State College campus, in Olympia

City/Town: Olympia, WA

Listen Live: http://kaos.evergreen.edu/listen.html

“Make No Bones About It.”

Conscious Empowerment for the Gulf Coast – Red Road Perspective

This is a conversation on how the Gulf Coast events may play into Hopi prophecy and what the bigger picture might represent in terms of underscoring a need for change to avoid ever more harmful environmental fallout as a result of lack of respect for our fragile ecosystem. Raven Redbone – hosts a show on Native issues and showcases elders who remind us to seek out the wisdom of indigenous cultures. We are encouraged to value development of stronger community role models and include sacred prayer as a daily practice … He highlights a list of influential Native Americans worth finding out more about. Find him at http://www.ravenredbone.wordpress.com or on Facebook at Make no bones about it.

Hosted by: Wendy Garrett

Check out the show : Raven Redbone and Wendy Garrett

Make No Bones About It Evening with Andy Mason

Make No Bones About It Evening with Andy Mason-Sunday, March 7th, 2010 at 5pm

Andy Mason is an award-winning First Nations (Upper Cayuga/Mohawk) singer/songwriter/actor and multi-instrumentalist, with over twenty years on stage as a musician or actor. His unique style and voice has won a few accolades, and continues to win over fans.

He has maintained that he remembers singing before talking; listening to the radio as a small child, by six he learned to imitate the voices of the singers of his favorite songs. In a family of musicians (his late mother, his sister, and three older brothers who all played music), Andy was always more interested in music and the stage than most anything else. By age seven, he taught himself to play drums and percussion. He sang in choirs, and tried acting too, landing a small part in an ‘operetta’, where people immediately recognized his potential.

In 1979, he was invited to play for his high school assembly. It was a turning point for him; while teaching himself songs by Supertramp and Stevie Wonder, two of his many influences then, one of his older brothers lent him a Rickenbacker electric guitar which he took home to teach himself. Within a few months, he was playing original and cover songs on stage, both on piano and guitar, to standing ovations for his high school in Smithville, Ontario. He moved to Toronto in 1983, with 15 dollars and a beat-up SilverTone guitar, and pursued a career in both music and acting. He was soon introduced to musicians/actors David Campbell, Don Francks, Gary Farmer, Graham Greene, a then-seventeen-year old Eric schweig, and Floyd “Red Crow” Westerman. He became a regular peformer at the first all-Native run coffee house in Toronto, The Native Expressions Night, at the Trojan Horse Cafe on Danforth.

Within a year, on the urging of his father, the late James E. Mason, OMC, he was accepted into K.Y.T.E.S., a unique ensemble community theater group, who took youth from the streets and taught them job skills, confidence and theater skills. The troupe toured Canada in ’85, and was the subject of a Sunrise Films Documentary, directed by Deepa Mehta, and featured music by Andy and his sister Corine.

At a coffeehouse beside the legendary El Mocambo, in front of peers and family in 1986, he was given the name Kahn-tah-wi-wim’-tchi-get, which in Anishinabe(Ojibway) means, “He who makes Beautiful Music”, or simply, “Beautiful Music Maker”. While doing theater and busking around Toronto, he met others busking on Yonge Street, and they formed a band called 4 Way Street, covering the songs of CSNY. (Andy was always a fan of Neil Young; when he was given his Ojibway name, he was learning songs from “Rust Never Sleeps”). They relocated to the Ottawa and Kingston area, and toured around Canada from ’88 to ’95, opening for many major acts along the way. CSN had even heard of them; Andy met them at their show in ’89 at the NAC in Ottawa. Crosby and Nash reportedly liked their sound. The late great Jeff Healey jumped onstage to perform CSNY songs with them at the Penguin Club, Canada Day 1993. In late summer 1995 one member, John Law, had met Michelle Chiasson, at a show in Delta, where 4 Way Street played an outdoor party for the carnies. Soon after, John and Michelle left Ontario behind, got married, and became award-winning singer/songwriter duo “The Laws” (http://www.reverbnation.com/thelaws). After John’s departure, Andy went on his own, playing solo shows as well as with other bands, and helped others develop their craft.

In 1994, Andy won “Adult Male Vocal Performer” on local Ottawa program “HomeGrown Gafe”, on CJOH-TV, one of the first performers to play his own original compositions on that show. He also fought for buskers’ right to play and busk in Ottawa in the early 90s’; many buskers at the time were harassed by authorities for playing on the street and the Byward Market. Soon after, that changed somewhat due to Andy’s and others’ efforts.

He moved to the Lower Mainland of B.C. in ’98; relocated Ottawa musician David Roy Parsons (http://www.myspace.com/davidroyparsons) encouraged and helped him to put together an album of songs he had been writing since his coffeehouse days. The result was “Long Walk 49”; the title song written in the KYTES days, one of the featured songs in the Sunrise Films documentary.

The late songwriter and friend of Andy’s and John Laws’, Ed Daley, once called Andy ‘the most versatile voice to come out of Ottawa in years’. Brian Rading from the Five Man Electrical Band, who played shows with 4 Way Street, and who played with Andy for his last solo show in Ottawa before Andy moved to British Columbia, encouraged and assisted Andy with his songwriting. John Law once told someone that Andy was ‘the Harmony Master’, quite the compliment, as both John and Michelle Law are accomplished harmony singers. He played mandolin, harmonica and banjo and sang backup vocals for Joey Only on his debut CD (http://www.myspace.com/xjoeyonlyx), as well as several David Roy Parsons’ recordings. He shared a win with Star Nayea at the Native-E Music Awards in Albequerque, New Mexico in 2008, in the “Mainstream Song of the Year” category, for his song “The Battle Raging”.

Over the years, he has acted on stage and screen, and has done occasional extra work in movies and television, and continued playing music with various others. In 2002, he teamed up with guitarist/music producer Michael Arthur Tait(http://www.e-balance.ca/stringbenderproductions/testimonials.html, http://www.myspace.com/mikeguitarstringbender) and they formed ‘Andy and the Tricksters’, playing both Andy’s and Mike’s original music, opening for Native acts such as George Leach and RedBone for crowds of up to 10000. He has also shared the stage with the late Floyd ‘Red Crow’ Westerman, Joanne Shenandoah, Willie Dunn, and Keith Secola. He has taken part in powwows as well, either as a powwow singer or playing his own music.

He relocated to Ottawa in the summer of 2009, to begin new projects, and still occasionally plays with “4 Way Street”, and old-time rock and roll cover band “Lightning”. He continues to pursue his many interests.

http://www.reverbnation.com/andywmason#/page_object/page_object_bio/artist_263629