Tag Archives: Make No Bones About It

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Protect the Sacred

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Kate Elliott on KAOS this coming Sunday at 5pm, Jan.27th


Kate Elliott Bio

Roger Fernandes on Make No Bones About It. Dec 16th, 2012 @5:15 PM.

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Roger Fernandes, master storyteller, Lower Elwha S’Klallam.
Roger Fernandes, or Kawasa, is a member of the Lower Elwha Band of the S’Klallam Indians from the Port Angeles, Washington area. He describes himself as an urban Indian as his mother, Violet Charles, moved to the city of Seattle where he was born in 1951. English surnames are common in the Puget Sound region and his family name is Charles. His great-grandmother was Annie Ned from Sequim, who married into the Makah tribe and moved to Neah Bay, the h
ome of the Makah people on the northern Olympia Peninsula. He is from a family of four brothers who are all active doing various cultural things like singing, basket making, artwork and storytelling.

Today the Lower S’Klallam are at the north end of the Olympic Peninsula in Washington just north of the Olympic Mountains foothills and the shores of the Straits of San Juan De Fuca. The reservation is about ten miles outside of Port Angeles, Washington.

Roger has been storytelling for about seven or eight years. The stories he started with were simple legends. Through his own interest and doors being opened by understanding those stories he moved into telling myths, creation stories, flood stories, and hero stories. In sharing these types of stories Native people can teach non-Natives about the aspects of their culture that go beyond food, shelter, and clothing. These stories actually define the culture of the tellers.

A story he shares of his tribe is how the S’Klallam people got their name. Stories incorporate songs and dances as an integral part when being told and are included in several stories that he tells. In the course of learning Native American stories, Roger has integrated stories he has learned from other cultures around the world like Mexico, Africa and Asia. All stories speak the same human language and teach same lessons.

Also a tribal historian, Roger gives a comprehensive multimedia presentation on the art of the Coast Salish people, including slides showing that the art of the Salish people. Their art is quite a bit different than that of the stereotypical northwest coastal Indian art like totem poles, masks and button blankets. He’s accumulated artifacts and artwork to show how the native people of this area created their designs, art, basketry and carving. A couple of other topics Roger uses is the environment and health and healing. He believes art, music and stories reflect the culture and the culture reflects the environment. Spiritual health that people need is told in stories that convey how a human being is to live in balance with family, community, and nature. Stories lead to a spiritual and emotional understanding on how to live in the world.

Roger is involved in art organizations and initiatives by and for Native American artists. He’s the Executive Director of South Wind Native Arts and Education Foundation a small grass roots non-profit and he’s on the arts advisory committee for the Potlatch Fund. He has recorded a CD ‘Teachings of the First People’ that shares several of the stories he tells in his performances. He won a folk life award from the Washington Arts Commission for his work in teaching about Coast Salish art. He also has a degree in Native American Studies from the Evergreen State College.

Roger does a lot of work in schools and tailors his presentations to young people. Children understand stories at one level and so he gives them access to stories that are easy to interpret. Native people call their stories “the teachings” as they are the fundamental way of teaching children. He likes them to be involved in the interpretive process. Elders have another level of understanding and bring a lot of wisdom and knowledge to any discussion so a strength that should be built on is the cross generational experience in storytelling. His audiences include community groups such as schools, libraries, parks departments, senior centers and open forum presentations that are geared towards a general audience.

Roger Fernandes
821 209 th Ave NE
Sammamish, WA 98074
425-868-7503
rbfernandes@juno.com

PHOTO BY Alex Garla

Raven visits with “Sihasin” November 18, 2012 4pm

Clayson Benally and Jeneda Benally of Blackfire are excited to announce their new musical side project “Sihasin”! A Navajo word that means Hope and Assurance is the basis for the duo’s new sound. Bass and Drums with vocal harmonies giving way to Navajo singing and melody creates a duophonic energy that leaves you with a feeling of Get Up, Stand up, use your voice and DO! Their unique new sound continues the power and energy of resistance for environmental and social injustices.
Biography
Brother and sister originally from Black Mesa on the Navajo Reservation in Arizona, were born into the heart of a political land dispute separating them by a fence from traditional homeland and family. They grew up protesting the environmental degradation and inhumane acts of cultural genocide against their traditional way of life.Their musical style encompasses many genres of music including rock, punk, folk, world. Jeneda and Clayson are at home on any stage.

Current Location
Navajo Nation, Arizona
Press Contact
bertabenally@gmail.com
Booking Agent
bertabenally@gmail.comBIO:
SIHASIN

(See-ha-szin)

Dine’ word- to think with hope and assurance. The process of making critical affirmative action of thinking, planning, learning, becoming experienced and confident to adapt.

Brother and sister, Jeneda and Clayson Benally of Blackfire from the Navajo (Dine’) Nation in Northern Arizona have created their own unique brand of music with bass and drums. They grew up protesting the environmental degradation and inhumane acts of cultural genocide against their traditional way of life. Their music reflects hope for equality, healthy and respectful communities and social and environmental justice.
http://sihasin.com/

September 16th, 2012 at 5pm Tara Evonne Trudell shares her poetry

Tara Evonne Trudell will share with us her poetry, art, and love of the spoken word. “I started writing poetry again after a 10-year break and was intrigued by the healing process the words brought to the surface. Writing poetry can be like catching butterflies: the words flutter so quickly from deep within and I capture them as quickly as I can on paper. Then I go back and shape the poem, looking at how the words interact,” Trudell said. Trudell, 44, is earning her bachelor of fine arts in media arts with and emphasis in filmmaking. Her films have already garnered awards. The Las Vegas single mother of four returned to Highlands in 2010. Trudell’s roots run deep in Northern New Mexico on her mother’s side, dating back seven generations. Villanueva was named for Trudell’s great-great grandmother, Manuela Villanueva. The poetry reading with her father will be filmed as the culmination of a documentary Trudell is producing from her summer poetry reading series called “Poetry in Random Places.” She is collaborating with fellow media arts student Faith Toledo on the project. Toledo helped film Trudell’s poetry readings this summer at northern New Mexico venues ranging from the Axle Contemporary Gallery and Lucky Bean Café in Santa Fe to the Las Vegas Farmer’s Market. Trudell also filmed herself reading poetry in natural settings such as cornfields and scenic canyons. Trudell’s films are rich in what she calls her earth shots: a flowing river, threes thrashing in the wind, a hawk soaring overhead, clouds filling a leaden sky, a lingering sunset. Earth images also infuse her poetry. “I want people to recognize the beauty of the land and nature and be moved in some way. The more we cultivate our connection to the earth, the stronger we become,” Trudell said.  Trudell is also a human rights activist, with a particular passion for immigration issues. Her poetry was selected for inclusion in the anthology, Poetry of Resistance: A Multicultural Response to Arizona SB 1070 and Other Xenophobic Laws, slated for publication through the University of Arizona Press. The Aug. 19 poetry reading is free but donations are accepted. Proceeds will help with the production expenses for Trudell’s documentary, “Poetry in Random Places.”

Without you we can do very little…

ATTENTION OLYMPIA RELATIVES: I WILL BE COLLECTING BLANKETS FOR THE NEXT FEW WEEKS BEFORE THE WINTER SETS IN SOUTH DAKOTA AREA. I AM HELPING COLLECT BLANKETS FOR OUR RELATIVES IN SOUTH DAKOTA. I AM WORKING WITH GOOD THINKING 4 ALL OUR RELATIONS  TO BRING THE WARM TO THE PEOPLE.  A BLANKET CAN SAVE A LIFE.

Every year, we lose a few more people — mostly elders — because they freeze to death. The past few winters in South Dakota have been lethal, and this year’s promises to be a hard winter too … If you live out of the country, please use our PayPal link at Godthinking … and to the  families, children and elders.

www.4allourrelations.org/

Olympia Washington drop off site:

Traditions :  300 5th Avenue SW, 98501 Olympia, WA · Get Directions Website  http://www.traditionsfairtrade.com/pages/tradhome.html

Join us as we visit with Barney Bush and Kris Barney this July 22, 2012, at 4pm.

Join us as we visit with Barney Bush and Kris Barney this July 22, 2012, at 4pm.

Before returning full time to his Ohio River homelands, poet/education- activist/patriot Barney Bush wrote about his homelands and the destruction of water, sky, land, forests , animals, people and became published and translated internationally. He has taught in numerous colleges and universities in the U.S. and has a B.A. in Humanities from Ft. Lewis College, Durango Colorado, a Masters of Arts in English and Fine Arts from the University of Idaho in Moscow, Idaho, and sixty five hours beyond the masters. He has also taught writing and English logic classes in Native American schools all over North America including Alaska and Hawaii. He has been a guest speaker in universities of western Europe as well as North and Central America.

Bush has also served as a writer-in- residence for numerous arts councils including those in New York, North Carolina, Illinois, Kentucky, Oklahoma, Vermont and more. From 1989 through 2005 he was on contract with nato Records in Paris, France, where he recorded numerous musical and spoken poetry albums. All lyrics were written by Bush, and music was composed by Tony Hymas, English composer and recording artist, who employed the use of Native American music and performers throughout the albums. One of their early albums, (Left for Dead), was admitted to the list of the “Greatest Experimental Hits in the History of Music.”

Bush is also the first indigenous poet admitted to the Society of Artists, Composers and Editors of Music (SACEM), Paris, France.Shawnee poet, Barney Bush, was inspired to react to the losing of his homelands. During the sixties he became involved with the American Indian Movement which was just forming in Minneapolis, Minnesota. During this time, he became involved in protests over the lack of understanding about Native people in their own homelands. He was an organizer, among many, of several schools throughout Indian country and helped, in 1970, create the first Native American Studies programs for colleges, high schools and grade schools in the United States. Bush came to see that the only way to save and promote the growth of homelands and culture was through organizing and truly learning the culture of colonial America. He believes that Native peoples’ owning and sharing their own businesses and schools is a primary factor in purchasing back our homelands for future generations.

http://www.vinyardindiansettlement.org/sample-page/

about Kris:
Kris Barney ” Dine’ Poet & traditional farmer from Tse’ Chi’zhi'”

Ya’a’teeh. Shi ei Kristopher Barney yinishye’. Honaghaanii Nishli’, Tlashchi’i’ Bashishchiin, Tachiinii Da Shi Che’, Todiko’zhi doo Kiisani Dine’e’ Da Shi Nali’. Tse’ Chi’zhi’ dęę

There is no compromise. I’ve lived all my life with one of the worlds biggest and ugliest coal stripmines in my back yard, i am the descendant of medicine people and warriors. My ancestors never went on the Long Walk to Hweeldi’, I am a survivor and hold the medicine of freedom, words, emotions that draw their power, strength, beauty and purpose from the first wind, breath of creation.

I am a Honaghaanii man and Nashdoistoh is my protector

Global Economic Challenges and Indigenous Prophecies with Chief Phil Lane Jr.

Raven visits with Chief Phil Lane this Sunday, June 17th, 2012 at 4pm.

Phil Lane Jr. is an enrolled member of the Yankton Sioux and Chickasaw Nations and is an internationally recognized leader in human and community development. He was born at the Haskell Indian Residential School in Lawrence, Kansas in 1944, where his mother and father met and attended school. He is a citizen of both Canada and the USA.

During the past 44 years, he has worked with Indigenous peoples in North, Central and South America, Micronesia, South East Asia, India, Hawaii and Africa. He served 16 years as Associate Professor and Founder and Coordinator of the Four Worlds International Institute at the University of Lethbridge, Alberta, Canada. Four Worlds became an independent Institute in 1995. As well, Phil is Chairman of Four Directions International, an Aboriginal company, which was incorporated in 1996 as Four Worlds’ Economic Development Arm.

With Phil’s guidance and applied experience, Four Worlds has become an internationally recognized leader in human, community and organizational development because of the Institute’s unique focus on the importance of culture and spirituality in all elements of development. Four Directions International, the Institute’s economic development arm, is lead by its President Deloria Many Grey Horses, and is dedicated to the development of sustainable economic enterprises that support wholistic, political, social, cultural, environmental, spiritual and educational development.

read more about Chief Phil Lane Jr.

Indigenous People Light Sacred Fire Ahead of Rio+20

Protecting and Restoring the Sacred with Chief Phil Lane Jr 4pm 4-8-2012

Chief Phil Lane Jr. makes opening offering at First Nations solidarity event opposing tar sands mining and pipeline operations in Canada.

Members of the Canadian Protecting and Restoring the Sacred CC joined First Nations of that region in a standing-room-only event in Vancouver BC, calling for free, prior and informed consent regarding environmental protections of the fragile BC coastline, and in opposition to Alberta Tar Sands operations.

Noted author and XL Pipeline activist Naomi Klein (The Shock Doctrine) spoke, along with several Indigenous leaders, about the threat oil pipelines and supertankers pose in the waters and environment of British Columbia. Two major pipeline projects are proposed through the region that would bring tar sands oil through BC and to Canada’s west coast for export.

The diverse group attending the event included Chief Jackie Thomas of the Saik’uz First Nation (speaking on behalf of the Yinka Dene Alliance), who related her people’s fierce commitment to this struggle and opposition to the pipeline:

“Our five nations hold more than 25 percent of this proposed pipeline route in our territory, and we will never allow it to be built!”

ar Sands operations in Alberta, Canada – Before & After

The feeling in the room was one of “enthusiasm and unity”, according to the Vancouver Observer.

Over 130 signatories have now joined the “Save Fraser” declaration.

“The declaration says it upholds our ancestral laws, the title, rights and responsibilities that we hold. We will not allow the proposed Enbridge Northern Gateway pipeline, or any similar tar sands pipeline, to be built. This is our law,” said Chief Thomas.

Vauncouver Observer reports that

“(Along with) Thomas and Chief Phil Lane, a number of other Aboriginal leaders stood to address the crowd. Sundance Chief Reuben George of the Tsleil-Waututh Nation gave introductions and brought his entire family on stage to welcome guests to unceded territory. First Nations actor Adam Beach also brought his children on stage, tearing up during a song about ensuring their future. And later, 10-year-old Ta’Kaiya Blaney sang a heartfelt song urging citizens to join the “earth revolution”.”

Quoting from the Vancouver Observer:

“(Melina Laboucan-Massimo, a Greenpeace campaigner from the Lubacon Lake Cree Nation in Alberta) went on to describe a disastrous spill that occurred in May 2011, when 28,000 barrels of tar sands crude leaked all over the traditional territory. She said neither the company (Plains All American) nor the government had attempted to notify the community, despite the fact that residents and schoolchildren were getting sick from the effects. Fighting back tears, Laboucan-Massimo displayed a series of aerial photographs taken in the days following the spill.”

Commenting via email on the event, URI Global Council Trustee Rebecca Tobias went on to add:

“It was an uplifting and encouraging event. I believe that we will see more of these positive, future-focused gatherings all across the US and Canada as people begin to find their voice and renew their commitment to building communities of conscience. Members of URI’s Protecting and Restoring the Sacred CC, Chief Phil Lane Jr.and Sundance Chief Reuben George, took part in the planning and presentation of the evening’s program, keeping true to URI’s commitment to, ‘unite in responsible cooperative action to bring the wisdom and values of our religions, spiritual expressions and indigenous traditions to bear on the economic, environmental, political and social challenges facing our Earth community.'”

(Much of the above account is derived from a report in the Vancouver Observer. For the complete story, see: http://www.vancouverobserver.com/sustainability/2011/12/02/naomi-klein-and-first-nations-leaders-unite-anti-pipeline-forum?page=0%2C1 )

Paul “Che oke ten” Wagner on Make No Bones About It-3-25-2012 5pm

Paul “Che oke ten” Wagner is an internationally-performing ambassador of the traditional songs & stories of his Coast Salish tribal ancestors. He enjoys sharing the warmth, humor & wisdom of these beautiful “teachings,” as they are know in the sacred tradition of his people, in an engaging & interactive way, interweaving his Spirit-gifted songs on Native American flute, along with traditional tribal drum songs. An award-winning Native American flutist, his instrumental songs have come to him with visions of healing & prayer for all relations (tree people, animal people, human people).

Che oke ten hails from the Wsaanich (Saanich) tribe of southern Vancouver Island, British Columbia, whose spirit helpers are the Thunderbird & the Whale. His ancestral name, “Che oke ten” carries the meaning of a feeling of “watching over & caring for the people & things you love for a thousand seasons.”

Che oke ten’s performing art has evolved into a feast for the senses, incorporating live sampling sound equipment to interlace Native flute, drum, voice & other musical instruments into a mesmerizing backdrop to the traditional spoken-word stories… accompanied by visual high-resolution projection of his stunning & surreal nature photography & videography work, which encapsulates the incredible beauty of the natural world so important to his culture.

Che oke ten’s traditional training & immersion in his tribal language enable him to share the teachings & Sacred Breath tradition of many generations of previous storytellers. He has a deep connection with the stories & ancient ways, understanding the profound life-changing effects they can have on people of all ages & cultures. He feels it is important to keep the indigenous teachings alive in the hearts of the people of today’s world & to honor the original ancestors of the place in which any gathering of peoples occurs.

Che oke ten’s debut Native flute CD “Journey of the Spirit” has been honored by the “Best Native American Album of 2009” JPF Award, a CD-Baby-affiliated international award involving both people’s choice voting & industry critic panel selection & judging. It has currently sold more than 1,000 copies. His available recordings also include “Prophecy Teachings of the First Peoples of the Northwest Coast” (a collaboration with his cousin, Johnny Moses), & a limited-edition solo storytelling CD entitled, “Creation Stories.”

Che oke ten’s current projects include a DVD featuring his breathtaking high-resolution nature videography & photography work to be accompanied by his original Native flute music (plus other instruments); a new Native flute CD; and plans for a second tour of Japan.

Che oke ten has shared the stage & collaborated with many prominent artists such as Eyvind Kang, Gina Sala, Bill Frisell, Andre Feriante & Charlie Hill. His international performances have included the Mongolian Peoples Federation for World Peace Conference in Seoul, Korea, a recent successful six-city tour of Japan, & many venues in British Columbia. Currently in residence in the Seattle, WA area, he also performs extensively throughout the Pacific Northwest region of the United States.

His recent performances include:

  • Mongolian People’s Federation for World Peace; Seoul, South Korea
  • CSL Sacred Music Festival; Seattle, WA
  • Pakistan Earthquake Relief Benefit; Redmond, WA
  • Olympic College; Bremerton, WA
  • Opening Ceremony for Fibers of Life Exhibit; Skagit County Historical Museum, La Conner, WA
  • Oregon Country Fair; Eugene, OR
  • Seattle Folklife Festival; Seattle, WA
  • Women of Wisdom Conference; Seattle, WA
  • World Rhythm Festival; Seattle, WA
  • World Sacred Music Festival; Olympia, WA
  • Faerieworlds Festival; Eugene, OR
  • King County Library System’s ‘Many Voices, One Land’ Children’s Program
  • Native Arts & Music Festival; Tacoma, WA
  • Redmond City Hall Opening Ceremony; Redmond, WA
  • Spokane Fall Folk Festival; Spokane

http://www.sacredbreath.cc/bio.htm