Tag Archives: Indigenous

Peter Boome on the next Make No Bones About It. 8-25-2013, 5pm

peter-broome-005-sfwAward Award winning Coast Salish artist Peter Boome is a member of the Upper Skagit Tribe of Washington State. He works in a variety of mediums with a primary focus on printmaking and graphic work. Peter earned his AA from Northwest Indian College, his BA from the Evergreen State College and his JD from the University of Washington School Of Law. He is currently finishing his Master’s of Environmental Studies at Evergreen State College, as well as pursuing a PhD through the School of Indigenous Graduate Studies Te Whare Wananga o Awanuiarangi in New Zealand.

Peter’s work has been aggressively sought after by collectors throughout the world. His art pieces span the continents in various European countries as well as New Zealand, Australia, Asia and Africa. Peter is a regular attendee of many prestigious juried art markets and events throughout the country, such as the Santa Fe Indian Market. His work has shown at institutions such as the National Museum of the American Indian both in New York and Washington DC. Some other places Peter has also shown include the Heard Museum in Phoenix, the Eiteljorg Museum in Indianapolis, the Autry Museum in Los Angeles, Indian Art Market in Santa Fe, and the Washington State History Museum where his work is part of the permanent collection. Peter’s work is carried by many galleries and art distributors throughout the world.

Peter works in a variety of mediums such as painting, carving, inlay, and glass work, but he is best known for his Hand-pulled serigraphs. He prints his own original work as well as the work of other artists. As a printer, Peter has worked with both new and established artists. He has worked with indigenous artists from New Zealand and Canada and has been active in printing indigenous work and giving back to his community. Through this commitment to his community Peter has introduced the work of many artists who would not have been otherwise able to have their work printed.

For more information about Peter and his art visit his website and blog at: araquin.com   For questions about individual work such as pricing and availability or to contact Peter email him at:   pete@araquin.com

Artist Statement

Peter’s artist statement says, “Art is all around us. Art is everywhere in life, there are lines, curves, shapes, colors, and shades all around us. Each culture has its own way of expressing the art of our world, a window through which we view the world. I am a Coast Salish Artist. My art is rooted in a historical design tradition. My art is a direct reflection of my culture; it is also a reflection of my personal, cultural, and world view.

I believe art is more than a simple reflection of culture. I feel art influences and guides cultures in many directions and ways. If you accept that art and culture are intrinsically connected you realize that art like culture is malleable, while based on a historic foundation both continue to evolve and expand. Our use and need of art is as strong as our use and need of culture. It is intrinsically connected; it surrounds us and often guides us. As an artist representing a distinct culture there is a moral obligation to carry on the artistic tradition with the upmost care and respect. We must carry on this tradition by honoring the past, representing the present, and laying the foundations for the future.”

For questions about pricing and availability and for more information about Peter or to view his work, check out his website and blog:

http://www.araquin.com

Grandmother Rita Blumenstein, on the next Make No Bones About It. August 11th, 2013 at 4pm

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We are free to be who we are—

to create our own life

out of the past and out of the present.

We are our ancestors.

When we can heal ourselves,

we also heal our ancestors,

our grandmothers, our

grandfathers and our children.

When we heal ourselves, we heal mother earth.

-Rita Blumenstein

photo by: Laura Avellaneda-Cruz

http://www.lauritadianita.info/?p=341

Grandmother Rita Pitka Blumenstein is a Yupik Elder and the first certified traditional doctor in Alaska. She is also an artist, a teacher, speaker and storyteller.  Rita’s teachings of the “Talking Circle” have been recorded and published, and she’s traveled the world to teach song, dance, basket weaving and cultural issues.  She donates these earnings to Native American colleges. 

Grandmother Rita was born on a fishing boat. Because her father died before she was born, Rita was raised by mother, grandmothers and great-grandmothers. All were wise women elders of her Yupik people. “I grew up with the Grandmothers, walked with the grandmothers and learned with the grandmothers,” she said of her family’s powerful teachings.

Grandmother Rita’s family lived in Tununak on Alaska’s Nelson Island. The bitter cold and barren tundra made life hard for the Yupik, whose name means “Real People.” With no forests or trees, the Yupiks said special prayers for the return of the driftwood each year. They also prayed to the animal spirits for help.

Rita began learning while in her mother’s womb. “My mother taught me that her tummy was my first world, and whatever she did while I was in her was something I learned,” Grandmother Rita says. ” Being in the Mother’s womb is like being under the ice; unsure of the light and hearing things but not clearly.” From the time of her birth, the Yupik grandmothers recognized Grandmother Rita’s spiritual being and healing powers.

When she was a young child, Grandmother Rita had diphtheria for two years and could barely breathe. All she could do was listen. By age 9, she was already receiving visions and was working as a healer. In a recent vision, she saw people looking up at the sky in terror.  It turned out to be 9-11.

Rita’s grandmothers stressed that school is important, but more important was learning about oneself.  From a young age, Yupik youth are taught that when they think of something, they also need to feel it. And when they feel something, they also need to think about it. “It is essential to allow yourself to know what you know, instead of driving yourself to be,” she believes. “When there is so much striving to be and become, we don’t often recognize what it is we really want when it’s right there in front of us.”

School helped balance Grandmother Rita between two worlds. Yupik people struggled with U.S. policies that ended the tribe’sfishing and hunting rightsand forced their children to attend schools outlawing tribal languages and traditions. “I caught the tail end of the old ways,” said Grandmother Rita. She believes her name, ” Tail End Clearing of the Pathway to the Light”  reflects her mission to heal. “The ceremonies, the  Potlach  are old ways. I can see now, today, that all that happened back then was for this purpose, for this life we are living today. It was for my work now. The ceremonies were about what all our ancestors were doing for the future, for future use. We just didn’t know back then that meant today.”

Grandmother Rita was married happily and peacefully to a Jewish man for over 40 years. During those years, they had six children but five died.  Today their living daughter jokingly calls herself a “Jeweskimo.”

In 1995, Grandmother Rita learned she had cancer. The cancer helped Rita recognize her lifetime of anger and sadness from not having a father.  She knew she had to heal at the deepest levels. “Emotions become physical, and the physical becomes emotional. Healing is about peeling,” she says. “God said there is only abundance, and the only way through is to forgive. Holding on to negative emotions becomes caner or another illness.  Our healing is not just for ourselves, it is for the universe. We forget who we are, and that is the cause of our illness.”

Today Grandmother Rita Blumenstein is a  tribal doctor for the South Central Foundation.  She uses plant and energy medicine to heal along with the  wisdoms learned from her own grandmothers. “I really still don’t know what it is I do, and I don’t know after what I did,” she explains. “The secret is that I don’t know anything. I am your friend, I am not sick, not sad, not angry. But what about you?”

Grandmother Rita is also teaching her teen-age granddaughter — who “talks to Mother Earth” — to be a healerand carry on the traditions. She tells her granddaughter that the whole universe is for everyone’s use. Nothing is to be owned, only shared.  “We are all here for the universe … Everything changes except the land we live on, and when that changes, we must accept it …When Mother Nature shows us she’s angry, that changes all of us.  My Grandmother taught me long ago that you become a human being when you learn to accept., when you learn to let go. We are here for the universe.”

Inviting the grandmothers to come visit her in Alaska , Grandmother Rita said,” When people think of Alaska, they go, ‘Brrr.’ But I say, when you have a cold heart, that’s when you’re cold. When you have a warm heart, that’s when you are warm. Come to Alaska, and we’ll warm you up!”

http://www.nativevillage.org/International%20Council%20of%2013%20INDIGENOUS%20GR/Each%20GR%20Home%20Page/Rita%20Pikta%20Blumenstein/Rita%20Pitka%20Blumenstein%20Homepage.htm

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World Peace and Prayer Day 2013

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Yes, our life energy must be a gift for our future. Your life, my life, everybody’s life must follow your given path. So pray or meditate. Follow your inner path and learn just how powerful you are and learn that you are a leader for your people, your family, your children, and the Mother Earth.

-Chief Arvol Looking Horse

Sla Hal gathering& history with Marvin Kempf and Mark Johns-Colson. March 10th, 2013 at 4pm

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Sla-hal is tied to the people of this area, pre-Clovis, since time immemorial. The finding of the sla-hal bones with the mastodon bring the past to the present, justifying the oral tradition of the people of the Pacific Northwest. Sla-hal began as a game between the animals and the humans.

Learn more by tuning in to Make No Bones About It.

Nancy Shippentower-Games on “Make No Bones About It.” March 3, 2013 4pm

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Nancy’s parents are Donald & Janet McCloud, we grew up on the banks of the Nisqually River, my father’s parents are Willie Frank & Angeline Tobin, my mother’s are Mamie McCoy & John Renecker – I have 7 siblings, 6 children and 10 grandchildren. I live in Yelm, WA., by my parents home..

Janet is a Tulalip Tribal Member, Don is a Puyallup Tribal member.

Nancy grew up in the fishing wars on both the Nisqually & Puyallup River – we seen, heard and felt the anger of the sportsmen, game agents and the state government.

Nancy graduated from college at Evergreen College under the direction of Mary Hilliare.

Nancy worked at the Puyallup Tribe off and on for over 30 years – I like Natural resources jobs,. Nancy has been on Tribal Council during the Land Claims Settlement.

Signed the Centennial Accord & Puyallup Tribal Land Claims.

Nancy is very vocal when it comes to telling the truth of the fishing rights, or protecting our natural resources.

Nancy said we were very luck our parents took us around d the United States to visit other nations, participate in their ceremonies and learn different traditions and cultures.

Kate Elliott on KAOS this coming Sunday at 5pm, Jan.27th


Kate Elliott Bio

Tantoo Cardinal on Make No Bones About It.

This is About Mother Earth!

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This is About Mother Earth!

As Keeper of our Sacred White Buffalo Calf Pipe, I would like to send out support for the efforts of Chief Theresa Spence of the Attawapiskat First Nation, for giving of herself through fasting with prayers for the protection of Mother Earth.

Throughout history, there have been many Voices from different Nations trying to alert us of the prophecies that are now upon us. We are in a time of Great Urgency, especially since the animals have been showing their sacred color white to tell us we need to change the Path we are on.

The war in the Middle East over money, oil and power, in the name of Spirituality, has been affecting us for far too long. A Healing now needs to happen from that lesson. Those lessons now exist in those territories in the lack of animal and plant life, as well as the many orphans and childless parents.

Political decision makers throughout history have made decisions that have affected many People, lands and animal/plant life, the recent decision made to subject Mother Earth and take away any protection she had left, is a decision that affects all humanity.

This effort has to be understood the same light of our Peace work, which is “All Nations, All Faiths, One Prayer”. This effort to protect Mother Earth is all Humanity’s responsibility, not just Aboriginal People. Every human being has had Ancestors in their lineage that understood their umbilical cord to the Earth, understanding the need to always protect and thank her. Therefore, all Humanity has to re-connect to their own Indigenous Roots of their lineage – to heal their connection and responsibility with Mother Earth and become a united voice.

In a Sacred Hoop Life, where there is no ending and no beginning!

Chief Arvol Looking Horse
19th Generation Keeper of the Sacred White Buffalo Calf Pipe

Return of the White Buffalo

Arvol Lookinghorse is a Lakota spiritual leader and 19th generation keeper of the Tradition of the Sacred White Buffalo Calf. (Wakan Chanupa). According to the Wodakota website: “People of the Lakota, Dakota and Nakota Sioux Nation believe the White Buffalo Calf Woman appeared to the tribes hundreds of years ago, bringing instruction in sacred ceremonies of how to live in balance with all life, and leaving behind a sacred bundle containing a sacred pipe of peace. She left prophecies about a time in which she would return again. The 1994 birth of a white buffalo calf is believed to have been the sign that these times were now at hand.” Arvol’s story is woven together with the return of the White Buffalo and the healing of the planet. He has travelled around the world with a message of peace and urging people to honour the earth and all of its inhabitants while promoting dialogue among indigenous people.

Raven visits with Jana Mashonee 5pm Sunday December 2, 2012

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With her new album, New Moon Born, poised to burst onto the mainstream music scene, it’s no wonder Jana Mashonee is all smiles these days. The album represents a significant departure from her previous endeavors, taking on a decidedly more upbeat rhythm and blues flavor. “The album is about rebirth and new beginnings; it reflects a phase in my life that has taken on a different shape and direction from anything I’ve done before,” she says. “This music conveys my personal truths and beliefs.” In addition to

providing all the vocals and piano, Jana wrote and co-produced the album.Since the 2006 release of her GRAMMY-nominated concept album, American Indian Story, the Lumbee Indian singer-songwriter has not had a moment’s rest. Amidst her demanding touring schedule which has taken her to 48 states as well as Europe and Canada, she found time in 2007 to shoot a video for American Indian Story’s first single, “The Enlightened Time.” Met with critical acclaim and enthusiastic fan response, the video has won numerous film festival awards, as well as a NAMMY for Best Short Form Music Video, Jana’s seventh Native American Music Award.

Jana also recorded American Indian Christmas, a unique album of ten traditional Christmas carols, each sung in a different Native American tongue. “I thought it would be special to do this album since many people have never heard, let alone heard sung, a Native language,” she says. Recorded with a full orchestra and traditional Native American instruments, this holiday album continues to receive rave reviews from press and fans alike.

At the start of the new millennium, Jana found success with chart-topping club hits like “More Than Life” and her cover of Led Zeppelin’s epic, “Stairway to Heaven,” earning her the honor of being the first Native American female to land on the Billboard dance charts. Her powerful voice, uplifting message, and exotic beauty and style garnered widespread press attention.

Despite her fast-paced career, Jana has still found time to give back by establishing her non-profit organization, Jana’s Kids, in 2002. Through the foundation, she helps Native American youth achieve their dreams. Starting in 2007, Jana’s Kids began awarding the David L. Boyle Family Scholarship to Native students. “I hope to raise more money so that I can fund a full two to four years of schooling for each person receiving a scholarship. That’s my current goal.”

This is indeed an exciting time for Jana with New Moon Born set to take her career to new heights. Despite this, she is decidedly peaceful. “Find the inspiration within yourself first and then you can help others,” she says. “I believe everyone has the responsibility in their lives to influence other people positively.” Jana Mashonee is truly the embodiment of the ancient Lumbee proverb: “She walks in beauty in two worlds.”
http://www.janamashonee.com/