Tag Archives: Native Music

Pualani Case on” Make No Bones About It.” September 9th, 2018 4pm

Pualani Case, born and raised  on the Island of Hawai’i surrounded by the high mountains of Mauna Kea, Mauna Loa, Hualalai and Kohala, the fresh waters of Kohakohau and Waikoloa and the plains of Waimea. Pua’s life path and purpose has led her to become a Kumu Hula, a teacher of traditional dance and chant, and  a teacher of the ways, culture and traditions of the kanaka maoli or native peoples of Hawai’i. With a degree in Hawaiian Language and culture, and a teaching degree in Social Studies, interwoven with the traditional teachings, philosophies and expectations from her kupuna or elders, Pua has integrated ‘Ike Hawai’i or Hawaiian knowledge and lessons into the public school system for over 30 years.

Pua and her ‘ohana, her family are active as spiritual and cultural leaders in and beyond their community. They are an integral part of  the protocol and ceremonies for Na Kalaiwa’a, Moku o Keawe Makali’i Voyaging Canoe, as well as for Hokule’a and other Pacific Island Voyages. Pua sits on various educational and cultural boards including the Waimea Hawaiian Civic Club, Waimea Community Education Hui, and MKEA, Mauna Kea Education and Awareness. Pua and her family are petitioners in the Contested Case hearing filed on behalf of Mauna Kea Mountain. As a representative of the Mauna Kea ‘Ohana Na Kia’I Mauna, Idle No More Hawai’i Warriors Rising and Idle No More Mauna, Kea she and her family have traveled throughout the continent, to Europe and various places across the Pacific to network, support and address the issues and challenges facing sacred places and life ways of the people of HawaiʻI and beyond Hawaii. In the past two years, Pua has represented the Mauna Kea Movement in  Aotearoa as a keynote speaker at the He Manawa Whenua Conference at Waikato, and in California in support of the Winnemem Wintuʻs efforts to bring back the salmon to the McCloud. She has stood on the frontlines in North Dakota at Standing Rock and Sacred Stone Camps with fellow Mauna Kea Protectors in support of the Native Americans stance on keeping pipelines out of their rivers. In October, Pua was featured at Indigenous Day Celebrations in New York City and was a guest speaker at the University of New York on Movements and Alliance Building between Native Peoples. This work is a one of commitment, dedication, passion and a mission to weave the relationships and strengthen the alliances with peoples everywhere for the highest good for the earth.

Advertisements

Eddy Lawrence on “Make No Bones About It.” 2-1-2015 at 4pm

558758_105469789603477_2026547083_n

Eddy Lawrence

Image from : Palmer Street Coffeehouse, Plattsburgh, New York, 2009

Born and raised in Birmingham, Alabama, Eddy Lawrence spent a decade in New York City before settling in the North Country of New York State in 1992. His songs and recordings have garnered critical praise in many publications, including Dirty Linen, Acoustic Guitar, The Village Voice, CMJ, Folk-Roots, Performing Songwriter, New Country, and Sing Out!.

Eddy has appeared at clubs, coffeehouses, and festivals across North America, both as a headliner and as an opening act for many well-known artists. These days, he performs in concert with his wife, Kim, who accompanies him on upright bass. The duo has recently released a new all-acoustic CD called “My Second Wife’s First Album”. The recording is their first together and the ninth album of Eddy’s original songs.

Eddy first gained attention in New York City’s thriving East Village music scene of the early 1980s. He got his start with the seminal NYC roots-rock band, LESR, before releasing his first solo album, “Walker County” in 1986. That LP was an acoustic homage to his home state of Alabama, recorded in his Lower East Side walk-up apartment, using sparse instrumentation: acoustic guitar, mandolin, and bass. For the next 15 years, Eddy worked the folk music circuit, playing coffeehouses, festivals, and clubs in support of the acoustic albums he was releasing. He mainly toured in the Northeastern US, but sometimes traveled farther afield and crisscrossed the US several times. “Going to Water”, released in 2001, harked back to his rock and roll days, featuring electric guitars, bass, and drums. In 2004 he released “Inside My Secret Pocket”, an album that featured both acoustic and electric material.

Shortly after the release of “Secret Pocket”, Eddy scaled back promotion of his own albums and songwriting in order to focus on producing recordings by Native American artists, several of which were released on his own Snowplow label. These CDs, which he produced, arranged, recorded, and played on, were well-received in Indian Country and two of them were nominated for Native American Music Awards (NAMMYs).

With “My Second Wife’s First Album”, Eddy has reentered the world of the singer-songwriter, returning to the acoustic sounds that first brought attention to his music back in the 1980s. Growing up in Alabama, with deep roots in the red clay of then-rural Walker County, Eddy was immersed in the old-time folk, country, blues, and bluegrass traditions that flourished there. He has called the area where he came from “the place where the Appalachians meet the Delta”, in reference to the musical melting pot that fused traditional European and African elements, spawning the folk, blues, gospel, rock, and soul music that heavily influenced popular music worldwide in the latter half of the twentieth century.

Eddy’s songs have appeared on many compilation albums, including NPR’s “Car Talk Car Tunes” and nine Fast Folk albums, which have been acquired by the Folkways division of the Smithsonian.

Venues where Eddy has performed include: The Birchmere, the Bluebird Café, The Bottom Line, Bound for Glory, Caffe Lena, Johnny D’s, Middle East Nightclub, Minstrel Coffeehouse, Ram’s Head Tavern, Roaring Brook Concerts, Vancouver Folk Music Festival (main stage) and many others.

http://www.snowplowrecords.com/

Eddy Lawrence – Bio

LIVE performance of Métis music with fiddlers Sono Hashisaki of Seattle & Jamie Fox of Montana.

Tune into KAOS Sunday Jan. 25th, 2015  from 4-6pm on “Make No Bones About It” with Raven Redbone for a LIVE performance of Métis music with fiddlers  Sono Hashisaki of Seattle & Jamie Fox of Montana.

Metis Fiddle Flyer

IMG_0773 - Version 2

 Photo by Steve Zemke.

BIO for Sono Hashisaki

Bugge-Dornfeld-Fox

Jamie Fox – Bio

g

Will also be joined by Alex Lamoureux , Metis from Canada

10155859_10152388865559411_391220457000417918_n

Alex has been following his mom Patti around to old time dances growing up, and has always had a fiddle in his hand for as long as he can remember. Alex is currently the 4 time Manitoba fiddle Champion, 5 time Manitoba Metis fiddle champion, 2013 Grand North American fiddle champion, and has placed in the top 10 four times at the Canadian Grand Masters. Alex loves to teach, and perform regularly across Canada, and in 2010 performed at the First Medal Ceremony at the Olympics in Vancouver.

Gary Farmer on “Make No Bones About It.” 4pm, 9-7-2014


GaryFarm566

 

Gary Farmer and the Troublemakers established in 2005 in Santa Fe, NM is a blues band with a nefarious group of musicians including, Shakti Hayes on Bass, Beaver Thomas and Brock Stonefish on guitars, Johnny Ringo on horns, Billy Jack Meyers on drums, Hook Herrera on harmonica and Gary Farmer on vocals.

Gary Farmer and TrobleMakers

Music of Gabriel Ayala on Make No Bones About It.

COME JOIN RAVEN AND HIS GUEST GABRIEL AYALA on Sunday Evening , 3. 26, 2011 at 5 PM on KAOS Radio 89.3 fm

A member of the Yaqui people of southern Arizona, Gabriel Ayala is at the forefront of a new generation of Native Americans making a career performing classical music. He began playing the guitar as a child. He earned a Master’s Degree in Music Performance from the University of Arizona in 1997, has taught at all educational levels from elementary through college, and serves as a competition adjudicator. Although Gabriel truly enjoys being a teacher his busy touring schedule allows him to only teach in masterclass settings.

Ayala performs regularly throughout the United States and has appeared at the John F. Kennedy Center for the Performing Arts, National Museum for the American Indian, ASU Kerr Cultural Center and Oscar Meyer Theater in Madison, Wisconsin. He has been recognized by the former State of Arizona Governor Janet Napolitano, now Director of Homeland Security, for his musical achievements. In addition, he has also been honored as the Artist of the Month for the Indigenous Internet Chamber of Commerce (IICOC). Gabriel has also been named Tucson Citizen of the Month and recognized as the leading artist in Tucson for 2009 in “9 to watch in 09”. Not only is Gabriel recognized locally and in the United States but has had the opportunity to be the featured performer at the “Festival Internacional de la Guitarra Academica” in Venezuela with Performances in Caracas, Guarenas, Guatire and on National Public Television throughout Venezuela.

Gabriel was selected as one of ten musicians featured in “Native Musicians in the Groove” highlighting stories of musicians in their struggles while persevering with a career in music. He also has been featured in several media publications such as “Native Peoples”, “Indian Country Today”, “SAY Magazine” (Canadian and United States Editions), “Spirit of the Southwest (German Publication)”, “Native America Calling”, “Canadian Broadcasting Corporation” and numerous others.

Ayala has released three self-distributed albums: “Self Titled” in 2003, “I’ll Be Home for Christmas” in 2007 and “Tango!” in 2008. He has also been a featured artist on several other CD releases. Gabriel signed with record label Canyon Records to release their first classical CD, “Portraits” on Canyon Records Explorer Series- Classical. The Explorer Series is the new sub label developed by Canyon to be able to feature Native Americans performing music outside of the traditional genre. Gabriel has been breaking stereotypes amongst Native and Non-Native people by performing classical, jazz, flamenco, and new compositions of his own. In 2009, Gabriel was nominated and performed in the Indian Summer Music Awards, Native American Music Awards, Aboriginal People Choice Awards, and the Canadian Aboriginal Music Awards. He led the Native American Music Awards (NAMMY’s) with the most nominations and received Best Instrumental CD for “Tango!”. Gabriel received many accolades in this year alone including the honor of sharing the stage with Motown living legends The Four Tops and The Temptations.

As Ayala continues to travel throughout the United States and other countries he serves as an advocate for education for all youth while instilling his values of living a traditional lifestyle while abstaining from Alcohol, Drug and Tobacco. Gabriel believes in leading our children in the right direction through his philosophy, “Honor your elders, love your children, and respect your women”. Gabriel wants to share the gift of music with as many people and show children that they can become whatever they dream. Gabriel currently resides in Tucson, Arizona.

An Evening Eddy Lawrence on “Make No Bones About It

Born and raised in Birmingham, Alabama, Eddy Lawrence spent a decade in New York City before settling in the North Country of New York State in 1992. His songs and recordings have garnered critical praise in many publications, including Dirty Linen, Acoustic Guitar, The Village Voice, CMJ, Folk-Roots, Performing Songwriter, New Country, and Sing Out!.

Eddy has appeared at clubs, coffeehouses, and festivals across North America, both as a headliner and as an opening act for many well-known artists. These days, he performs in concert with his wife, Kim, who accompanies him on upright bass. The duo has recently released a new all acoustic CD called “My Second Wife’s First Album”. The recording is their first together and the ninth album of Eddy’s original songs.

Eddy first gained attention in New York City’s thriving East Village music scene of the early 1980s. He got his start with the seminal NYC roots-rock band, LESR, before releasing his first solo album, “Walker County” in 1986. That LP was an acoustic homage to his home state of Alabama, recorded in his Lower East Side walk-up apartment, using sparse instrumentation: acoustic guitar, mandolin, and bass. For the next 15 years, Eddy worked the folk music circuit, playing coffeehouses, festivals, and clubs in support of the acoustic albums he was releasing. He mainly toured in the Northeastern US, but sometimes traveled farther afield and crisscrossed the US several times. “Going to Water”, released in 2001, harked back to his rock and roll days, featuring electric guitars, bass, and drums. In 2004 he released “Inside My Secret Pocket”, an album that featured both acoustic and electric material.

Shortly after the release of “Secret Pocket”, Eddy scaled back promotion of his own albums and songwriting in order to focus on producing recordings by Native American artists, several of which were released on his own Snowplow label. These CDs, which he produced, arranged, recorded, and played on, were well-received in Indian Country and two of them were nominated for Native American Music Awards (NAMMYs).

With “My Second Wife’s First Album”, Eddy has reentered the world of the singer-songwriter, returning to the acoustic sounds that first brought attention to his music back in the 1980s. Growing up in Alabama, with deep roots in the red clay of then-rural Walker County, Eddy was immersed in the old-time folk, country, blues, and bluegrass traditions that flourished there. He has called the area where he came from “the place where the Appalachians meet the Delta”, in reference to the musical melting pot that fused traditional European and African elements, spawning the folk, blues, gospel, rock, and soul music that heavily influenced popular music worldwide in the latter half of the twentieth century.

Eddy’s songs have appeared on many compilation albums, including NPR’s “Car Talk Car Tunes” and nine Fast Folk albums, which have been acquired by the Folkways division of the Smithsonian.

Venues where Eddy has performed include: The Birchmere, the Bluebird Café, The Bottom Line, Bound for Glory, Caffe Lena, Johnny D’s, Middle East Nightclub, Minstrel Coffeehouse, Ram’s Head Tavern, Roaring Brook Concerts, Vancouver Folk Music Festival (main stage) and many others.

 

http://www.snowplowrecords.com/eddy.html

Samantha Crain the haunting voice behind the music on KAOS 89.3 FM


Sunday, December 19 · 5:00pm – 6:00pm Join Raven and his guest Samantha  Crain as they explore the voice behind the music.

Samantha  Crain Bio:
Anais Nin said, “Each contact with a human being is so rare, so precious, one should preserve it.” That suggestion was the muse impelling the conception of Samantha Crain’s second LP, You (Understood). Each song on this album rests on a juncture with a person, a real person, and it recounts a particular episode of life wi…th that person. The scenes and the people are not especially unusual or stirring but the idea that the precise installment will never, in all of time, happen again was enough to interest Crain. She is taking a microscope to the simplest of human interactions and feelings, turning them over in her hands, looking at them from all angles, measuring them on all sides, and taking them apart, realizing they really are exceptional but only in the smallest ways.