Category Archives: Make No Bones Shows

Ravenspeaker on Make No Bones About It. December 22, 2013 at 5pm

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Ravenspeaker
Native Storytelling, Choreography and Cultural Events Planning

Who is Ravenspeaker?
Ravenspeaker is the stage name for Robert Frederiksen an Alaskan Tsimshian storyteller of the Raven Clan. He was born and raised in Seattle, Washington and has travelled all over North America as a recognized Culture Bearer for the Northwest Coast’s First Peoples.
Storytelling
He began by accident as a teenager when a group of dancers needed someone to fill time on stage between sets. Although considered very young at the time he proved worthy of the honor by crafting a spell binding version of the Culture’s most famous legend ‘The Box of Daylight’. He very quickly found himself in demand as a stand alone performer and brought his talents to conventions, businesses, festivals and other gatherings all over the Pacific Northwest.
With his obvious stage presence he was offered roles in such films and Television Programs as “The Spirit of the Eagle”, “The Creative Native” and even appeared in several local theater productions. To this day Ravenspeaker is one of two featured storytellers in the Burke Museum’s storytelling exhibit.
Choreography
Ravenspeaker has created songs and dances for some of the Northwest Coast’s most well known Native Dance troupes. Most notably he was one of the founders of Tsimshian Hayuuk, created and directed the Children of the Mist Youth Dance Team and helped organize Lugulm Goodm of Vancouver BC. His proudest achievement in this medium was the fusion of ballet and traditional Northwest Coast Indian Dance in “Seattle’s Fantastic Shoppe” with the late John Wilkins of the Olympic Ballet Theater.
Events Planning
Ravenspeaker assisted in the planning of several Potlatches in Washington, Alaska and Canada. He took the lead in organizing Potlatches for the Muckelshoot Tribal School and for Indian Heritage High School.
He also created the Northwest Coast cultural component of the Seattle Aquarium’s Salmon Homecoming Celebration and ran that event for several years from 1996 through 2001.
Other Data:
His ceremonial name is Ma’alsgm Gaak (Raven Narrates). He has one son, Jade, of the Eagle Clan (Most Northwest Coast Natives reckon lineage through the maternal line) who is learning storytelling and dance at the tender age of ten and is also available for certain venues.
Ravenspeaker can be contacted at 425.329.9830 or by email at ravenspeaker@msn.com
Toiksn ada saa aam hla waan. (Thank you and may your good name go with you)

Redbone speaks with Veteran Warren Gohl of Seneca Nation -12-15-2013, 4pm

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Veteran Warren Gohl of Tacoma.
(STEVE ZUGSCHWERDT | FOR THE KITSAP SUN)

Veteran Warren Gohl of Seneca Nation

Department of Corrections 1980 – 2006. Retired as Community Corrections Officer 3 – Tacoma DOC.
US Army 1959 – 1980. Retired as Chief Warrant Officer, US Army.
…
American Indian Background: Descendant maternally of Chief Comstock, Seneca on the Sandusky, Ohio. Tribe relocated pursuant to Treaty of Greenville, Ohio, in 1832, to Indian Territory. Later formed as Seneca-Cayuga Tribe of Oklahoma.

Indian Country Voluntary Activities :

2003 – Present: Chaplain, Inter-Tribal Warriors Society. A veterans support organization sponsored by the Muckleshoot Tribe of Auburn, Washington. Society provides scheduled honor guard memorial services to deceased veterans at Tahoma National Cemetery and American Indian veterans in their communities.

2007 – 2013: Traditional American Indian Religious Services Provider, Stafford Creek Corrections Center, DOC. Contracted by the United Indians of All Tribes Foundation, Day Break Star, Seattle. Provided traditional religious services to the Stafford Creek American Indian/Alaskan Native Circle.

2010 – 2012: On call American Indian Religious Services Provider, Washington State Hospital Forensic Confinement Center.
Provided traditional religious services to American Indian and Alaskan Native inmates.

2010 – Present: Member, Joint American Indian Veterans Advisory Council to the Veterans Adminstration Northwest Region.
Represents the Inter-Tribal Warrior Society and the American Lake Veterans Hospital Sweat Lodge.

2012 – Present: White Bison Wellbriety facilitator, Special Confinement Center, DSHS, McNeil Island,WA. Provides American Indian/Alaskan Native Circle traditional based values to counteract influences of sexual violence and trans generational trauma.

2012 – Present: Member of the Race and Pedagogy Initiative, Chair, Dr.Dexter Gordon, University of Puget Sound, a national levle academia and community based program designing methodology to interdict minority ethnic “School to Prison Pipeline” and unobstruct the “Prison to Community Pipeline”.

2012 – Present: Chief Elder, Elder Council, American Lake Veterans Hospital Sweat Lodge. Council provides American Indian traditional purification sweat lodge to male and female veterans afflicted with conditions of PTSD, Tramautic Brain Injury and Sexual Trauma. Sweat Lodge available as requested as adjunct therapy for veteran family members and VA staff.

2013 – Present: On Call Traditional American Indian Religious Services Provider to American Indian and Alaskan Native psychiatric/substance abuse in-patients of the Seattle Veterans Hospital. Recommended by the Seattle Indian Health Board to provide this service.

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Warren Gohl far left

AUDIO OF THE SHOW CAN BE  FOUND BY CLICKING THIS LINK:

REDBONE SPEAKS TO WARREN GOHL

Join Editor Gregory Fields, Coast Salish carver Felix Soloman (Lummi/Haida), Ben Covington ( Lummi). December 1, 2013 at 4pm

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Join Editor Gregory Fields, Coast Salish carver Felix Soloman (Lummi/Haida),  Ben Covington ( Lummi). As we learn more about:

A Totem Pole History: the Work of Lummi Carver Joe Hillaire
The book includes chapters by Felix Soloman, Bill Holm,  Barbara Brotherton, Skokomish artist and scholar CHiXapkaid Michael Pavel,  Melonie Ancheta,  and others. In addition to the book, a media companion (a DVD and two audio CDs) titled “Coast Salish Totem Poles” will be available and includes Lummi stories, songs, and an illustrated presentation of Pauline Hillaire interpreting several of her father’s major totem poles.

 

KAOS Radio: December 1, 2013 at 4pm, on Join Editor Gregory Fields, Coast Salish carver Felix Solomon)Lummi/Haida), Ben Covington ( Lummi).

The Evergreen State College

The EvergreenLibrary: has an exhibit featuring the book.

The bookstore has copies of the book and media companion for sale.

Dec. 3rd, from 3-5 pm, in Sem 2 C 1105 for the inaugural release of Pauline Hillaire’s new book, A Totem Pole History: The Work of Lummi Carver Joe Hillaire (U. of Nebraska Press), that explores Salish visual arts, storytelling, and cultural traditions. The editor, Greg Fields (U. of So. Ill.), Lummi Carver, Felix Solomon (who restored some of Joe’s poles), and others involved with the publication will give a presentation. The Hillaire family has a long history at Evergreen, and throughout Puget Sound, in establishing Native education, arts, and cultural programs. Joe Hillaire’s work includes the celebrated 1963 World’s Fair, “Journey to the Sky” and “Man in Transition” poles, and the Kobe Japan “Friendship” pole, that were featured at the Seattle Art Museum in a recent exhibit. Hillaire’s artistic legacy and philosophy is documented in the book, which is one of the pivotal works on Puget Salish art and history. Sponsored by: Creativity and Diversity in American Culture: Art and Narrative In Response to Place; Bella Bella or Bust; The Longhouse; the Library; the Deans.

Seattle Art Museum: Joseph Hillaire

Carver of the Century 21 Exposition Totem Pole

Carver of the Kobe-Seattle Sister City Friendship Pole

The Seattle Public Library digital collections. Joseph Hillaire’s 1961 trip to Kobe to install and dedicate the Kobe-Seattle Sister City Friendship pole includes images of Hillaire’s travels in Japan and pictures of Seattle Mayor Gordon Clinton, and Seafair Queen Linda Juel, both of whom accompanied Hillaire on the trip.

Harvest Moon on the next Make No Bones About It. November 24, 2013 at 4pm

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Harvest Moon is a Quinault Ambassador, historian, basket weaver and storyteller whose name means “A light shining forth in the midst of darkness”. She has been telling stories over half her lifetime, ones that will make you laugh, cry and will move you. She speaks from her heart and spirit, leaving people looking at a different perspective of the Northwest Coast Native Americans. She has received the “Peace and Friendship Award”, from the Washington State Historical Society in recognition of significant contributions to the understanding of N.W. Indian Heritage and has served two terms for “The Washington Commission for the Humanities.” In addition, Harvest Moon has received grants from the Seattle Arts Commission, Bainbridge Island Arts and Humanities and Heritage Arts Council for “Artist in Residency” through out Washington Schools.

http://www.turtleislandstorytellers.net/tis_washington/transcript_h_moon.htm

Joey Gray on the next Make No Bones About it. October 20th at 5pm

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Joey Gray (Métis, Okanagan, European) is a computer systems and management consultant for nonprofit organizations. She’s a lifelong organizer who led an international movement to integrate team sport so that women and men now compete together as equals at the top levels of play. Locally around the Salish Sea, nationally in the U.S. and Canada, and internationally from Asia to Europe, Joey co-founded, directed, coached, and oversaw national and world championships, recreation programs, organizations, teams, …and other events. She had the honor to act as head official for a new sport in The World Games held under the patronage of the International Olympic Committee, and to award the medals four years later.
But even as Secretary-General and Treasurer on the Executive Committee of a world sport federation – one of few women in such a leadership role – Joey recognized that modern sport as we know it is unsustainable. The championship system and any legitimacy that comes from it is dependent on artificially cheap fuel and excessive waste. We know it’s destructive. It’s destructive not only for Indigenous people worldwide, but for every living thing affected by pollution and climate change.
So several years ago, Joey re-directed her efforts to instead support a wide range of environmental and education groups, campaigns, and peaceful grassroots actions. She stopped flying, doesn’t own a car, lives in a tiny place, and, along with many other caring people, uses her information systems skills and nonprofit leadership experience to make choices like these more and more appealing and fun for all — especially bicycle infrastructure, growing food, politics, conservation, education, and leaving terrible toxic tar sands in the ground right where it belongs. @tarsandsactionseattle
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Chief Oren Lyons on Make No Bones About It. September 29,2013 @ 4pm

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Oren R. Lyons is a traditional Faithkeeper of the Turtle Clan, and a member of the Onondoga Nation Council of Chiefs of the Six Nations of the Iroquois Confederacy (the Haudenosaunee).

Lyons graduated from Syracuse University with a degree in Fine Arts and soon moved to New York City, where he worked for Norcross Greeting Cards. He started as a paste-up artist but later became an art and planning director for Norcross. His background in art has helped him become an accomplished illustrator of books and a …painter.

In 1970, Lyons returned to his ancestral homeland in upstate New York to act as Faithkeeper of the Turtle Clan. In this capacity, he is entrusted with keeping alive his people’s traditions, values and history.

Oren Lyons is Associate Professor at SUNY (University at Buffalo), in the Center for the Americas. He teaches courses on Native American history and studies, and advises graduate students. Prof. Lyons also appears at many conferences and meetings, speaking on American Indian topics, human rights, interfaith dialogue, and the environment.

Aside from his work at the University and the Turtle Clan, Lyons is the co-founder of the national American Indian quarterly news magazine Daybreak, of which he has been the publisher since 1987. He also edited the book Exiled In The Land Of The Free: Democracy, The Iroquois and The Constitution (1992) , a major study of the Indian’s impact on American democracy and the United States Constitution.

An essay from Oren Lyons, “Our Mother Earth,” is included in Seeing God Everywhere: Essays on Nature and the Sacred .

Julian Brave NoiseCat on KAOS Radio – September 15, 2013 at 4pm

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Julian Brave NoiseCat, son of Ed Archie NoiseCat and Alexandra Roddy, is a member of the Canim Lake Band and a descendant of the Lil’Wat Nation of Mt. Currie. His paternal grandparents are Antoinette Archie and the late Ray Peters, and his maternal grandparents are Suzanne Roddy and the late Joe Roddy. He is in his third year at Columbia University where he studies history. This summer he continued learning Secwepemctsín with his kye7e (grandmother), while conducting and writing a research paper on current and historical words for the white man in Secwepemculecw. He loves his family.

Image courtesy of Izumi Watanabe

Jewell James, Lummi Nation on KAOS 89.3 FM September 15,2013 AT 5:00

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Jewell James and the Lummi House of Tears carvers have created a totem pole Kwel’hoy (“We Draw the Line”) and are travelling with it in a journey of blessing across the west. Please join the Lummi Tribe at Kwel’hoy ceremonies for offering prayers of protection for sacred lands, sacred waters, and treaty rights of Native peoples.

photo credit Liz Jones / KUOW
Jewell James is a longtime leader of the Lummi Tribe.

Dennis Banks shares about “Declare War on Diabetes” Motorcycle Run in 2014 and much more. September 15, 2013 at 5:30pm

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BRIEF BIOGRAPHY OF DENNIS BANKS

Dennis Banks is a Native American leader, teacher, lecturer, activist, and author. He is an Anishinabe, Ojibwa, born on Leech Lake Indian Reservation in northern Minnesota. In 1968 he co-founded the American Indian Movement (AIM), and establishing it to protect the traditional ways of Indian people and to engage in legal cases protecting treaty rights of Natives-such as hunting and fishing, trapping, wild riceing.

Banks earned an Associates of Arts degree at Davis University and taught at Deganawida Quetzecoatl (DQ) University (an all Indian-controlled institution), where he became the first American Indian chancellor.

In 1994, Banks led the four-month Walk for Justice (WFJ) from Alcatraz Island in San Francisco to Washington, DC. The purpose was to bring public awareness to current Native issues. Banks agreed to head the “Bring Peltier Home” campaign in 1996 bringing Native Americans and other supporters together in a national drive for executive clemency for political prisoner Leonard Peltier.

He also had roles in the movies War Party, The Last of the Mohicans, and Thunderheart. A musical tape “Still Strong” featuring Banks’ original work as well as traditional Native American songs was completed in’93 and a musical video with the same name was released in’95.

Source: American Indian Movement

 http://www.aimovement.org/iitc/index.html#BANKS

http://www.dennisbanks.org/index.php/biography-short

Donald Vann on “Make No Bones About It” -September 8th, 2013

 

The images of full blood Cherokee artist, Donald Vann, speak of peace and tranquility of solitude. They speak of yesterday’s tradition and tomorrow’s promise. Through his work, Donald takes the viewer to a place that is as real to him as the tangible world. To see his paintings is to feel the crunch of snow beneath one’s feet, to hear the wind whisper through the aspen trees and to smell the wood smoke and buffalo of hide tipis. It is to know the soft-spoken man behind the paper and paint.  Donald Vann

“All my life,” Donald explains, “I have had this desire to paint with images I can express thoughts and feelings I could never put into words. Through my art I am able to transcend the limitations of the spoken word.”

It is more than just his Native American heritage that Donald strives to share. Warriors on horseback, a medicine man greeting the dawn and young maidens gathering wood are only the means of conveying moods that are much more universal. He uses those images to tell how he feels about the unseen forces that influence life. Donald draws his greatest inspiration from the earth, sky, and from the rhythms of nature. His creations have a quality that allow the viewer to share some of the inner facets of the Indian soul. “In our world, there is an unspoken quality, a feeling that touches and flows through everything … all of us as well as all things of the earth. If one listens to these forces, he will find himself painting instinctively with the feeling of his heart about his ancestral beliefs and the way people live today.”

These spiritual elements have been a part of his life for as long as he can remember. “Growing up I was always a loner.” Donald recalls, “I spent a lot of time hunting, but that was really just a way of being by myself out of doors. That is where I felt the most comfortable and in tune with the natural spirits evident in all things.”

When he wasn’t camping with his grandfather or hunting in the woods near his boyhood home outside Stilwell, Oklahoma, Donald remembers painting. “I didn’t fit in too well at school, the one art class I took, I flunked. I always thought education got in the way of learning. I was much more interested in the teachings of the holy man for my clan and in the survival and herb skills my grandparents taught me.”

Combining his love for art and his Cherokee heritage, Donald is able to create moving images that speak of the Indian way of life and capture the hearts of art collectors worldwide. He is recognized for his haunting images of his people’s heritage, especially his portrayal of the Trail of Tears. He was proclaimed “one of the best known Indian artists of the 20th century” by the Cherokee National Historical Society. The Smithsonian Institution’s Museum of the American Indian honored him with their top painting award for watercolor medium. He has also won first place ribbons in juried competitions at Oklahoma’s Red Earth Exhibit, Colorado Indian Market and National American Indian Arts Exposition.

More than 50 different editions of his signed and numbered prints are now collectors items. He has taken top honors at shows from Texas to Ohio, and Minnesota to North Carolina. Yet, it is the public’s acceptance is what matters most to Donald.

“Through my images,” Donald says when asked of his success, “I hope people will be inspired to learn more about the customs and values of America’s native people. Our traditions teach many things that can help all people. In today’s fast-paced world, it is too easy to get cut off from one’s heritage and lose sight of the things that are truly important. If I can make people see with their hearts instead of their eyes, then my art has spoken. Then I have succeeded.” http://www.donaldvann.com/