Tag Archives: Connecting with Spirit

Chief Arvol Looking Horse

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https://youtu.be/DKfx502A0E4

https://www.youtube.com/watch?v=FbBPhlHJa4c

https://www.youtube.com/watch?v=HStDD4Vrswc

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World Peace and Prayer Day 2015

 

Protecting and Restoring the Sacred with Chief Phil Lane, Jr, May 3, 2015, 4-5 pm on “Make No Bones About It.”

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An Invitation from Chief Phil Lane, Jr.:

At this unique and unprecedented moment in human history – in the midst of mounting social, political, economic, psychological and spiritual restlessness and uncertainty – there exists an unnamed rootlessness that permeates the very heart of the Human Family and condition.

And it is time to name it.

Too many human beings in the modern world have been in the pursuit of the industrial and material dream severed from our Indigenous Spirits. We have forgotten how to live in harmony on our Mother Earth, and have thus lost touch with our Indigenous Roots and our intimate connection to one another and all Life!

We are all part of the ancient Sacred Circle of Life, and therefore we are all Indigenous Peoples of Mother Earth. The essential truth of this reality cannot be denied no matter how we look at it; it is simply an irrevocable truth.

To embrace and reclaim our Indigenous relationship to all Life is to remember and lovingly celebrate our sacred relationship with our Mother Earth, all relatives of our One Human Family and our kinship with all Life.

The realization of this truth renders any form of prejudice intolerable, and equally renders any form of mistreatment of our sacred Mother Earth as completely unacceptable.

We have experienced a Great Spiritual Wintertime in the past 500 years. This has been a time of conquest, colonization and assimilation that has been filled with the utmost human cruelty, violence, injustice, abuse and physical and cultural genocide.

What we are finally discovering, however, is that the ”Hurt of One is the Hurt of All,” and that such actions strip away our essential humanity along with all things that make life worth living!

The global crises we experience today are additionally fueled by our belief in separation… a myth that has convinced us that we are separate from one another and separate from the Natural World. This has further channeled into the destructive belief that we are not whole and that we are hopelessly inadequate.

The industrial and material dream is given power by our sense of lost connection and wholeness with ourselves, each other and our Mother Earth.

It persuades and propels us to consume to no end, in a feeble attempt to recover a wholeness that cannot be bought or filled with material things.

It thrives on our inability to recall the ways of the ancestors, and celebrates the forgetting of our own sacredness as Sacred Beings.

For when we recognize the sacred within ourselves, we see it in all other things.

But this is all changing. It has been prophesied that a Great Spiritual Springtime would emerge out of this unimaginable darkness.

We live now not in the days of the prophecies, but in the days of the fulfillment of the prophecies.

As foretold by the Elders, the Indigenous Peoples of the world are reawakening to their spiritual and cultural identities. They are demonstrating to all members of the Human Family how to walk the Fourth Way, the Beauty Way… the Path that transcends assimilation, resignation and conflict to a new place of understanding, reconciliation and healing broken trusts!

This Sacred Path of the Fourth Way must be walked together in unprecedented, unified action to manifest World Peace – the Day that will not be followed by night!

We, the First Nation Indigenous Peoples have a strong, enduring and unbreakable spiritual foundation of cultural values and guiding principles. These have empowered us to survive and arise in the face of unspeakable hardship and suffering, yet we stand with greater strength and wisdom than ever before.

So we invite you, Our Beloved Relatives, to reawaken with us to what is already within each of us – the Unity of One Human Family and all Life.

We offer you our heartfelt greeting of solidarity and our shared wisdom of 16 Indigenous Guiding Principles to ensure that we may walk together on a Sacred Path that fully honors the Natural Laws and rights of Mother Earth!

This new Spiritual Springtime foretold by our Elders is now unfolding globally… as sure as the sun rises every morning.

My Beloved Relative, it would be an honor for you to join us.

Your brother,

Chief Phil Lane, Jr.

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An Invitation from Chief Phil Lane

Goodthinking shares with Raven Redbone on KAOS 89.3 fm, April 26th, 2015 at 5:30

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Goodthinking 4 All Our Relations is a registered 501(c)3 nonprofit organized in July 2009, to address and meet the needs of the seemingly forgotten and overlooked children and Elders in “Indian Country.” Goodthinking 4 All Our Relations operates under the jurisdiction of a covenant with Creation. Through the Traditional Ceremonies, Teachings, and Guidance of our Elders, we understand it is time to make a difference. In order to systemically address issues of suicide, substance abuse, health disparities, and domestic violence, we must first address basic physiological needs for water, food, and safety. When people are fighting merely to survive there is not time for them to think of ways in which to thrive.

More Info click here 

Good Shield Aguilar / 7th Generation Rise, on KAOS 89.3 fm, April 12, 2015 at 4pm

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GoodShield Aguilar is of Oglala lakota and Pasqua Yaqui origin. he has been a visual artist as long as he can remember, but discovered music as a teenager and he has made music and art a grounding point from which cultural identity could be expressed and environmental causes could be addressed, particularly with the yellowstone Buffalo (www.buffalofieldcampaign.org). Aside from playing as a solo acoustic artist, beating a driving bass drum while strumming a guitar and singing original song with native “chants” and spoken word, he can also be seen around the country (and recently, across the great pond) with drummer, Johnnie Martinez and flautist, Mignon Geli. In this instrumental arrangement, they can range from Funk, Rock, Reggae, Latin Soul and anywhere in between the 7 generations….

 

 

Chief Arvol Lookinghorse Speaks on “Mauna Kea saving the sacred.”

 

Chief Arvol Looking Horse

Chief Arvol Looking Horse

Subject: Mauna Kea we are with you.

Mitakuye Oyasin!

We the Keepers of the Sacred Sites have heard your calling. Your prayers and your journey to your Sacred Site of Mauna Kea is not only important to your culture and tradition, but we the Spiritual Leaders and Medicine People know that the Sacred Site is part of all of our lives. In our tradition and culture, this is like a Church, a Temple, a Sacred Place, where we do our prayers. We extend our heart and prayers for your Nation to protect, not only the Sacred Site, but the Mini Wic’oni (water of life), which is the most important part of our ceremonies along with the fire and air.

We have a prophecy from our Lakota, Dakota, Nakota Oyate, that when the white animals show their sacred color white, we will be at the crossroads of important effort and decisions for all our future and that you see today with the recent White Whale Migaloo visiting your territory. Many People like you are taking a stand to protect Mother Earth’s power points, her sacred sites known as chakras. We continue to pray for each and every one of you, as you step forward to protect the Sacred Holy Place. You are not alone. All the People that live in your territory need to stand with you now, the direction we are going is not good. People in this western society must understand where we are coming from; we are coming from our Sacred Sites and ceremonies, People of theEarth.

In a Sacred Hoop of Life, where there is no ending and no beginning!

Hec’el oinipikte (that we shall live),

Chief Arvol Looking Horse,

19th Generation Keeper of the Sacred White Buffalo Calf Pipe

http://www.wolakota.org Activate your site on June 21st Honoring Sacred Sites Day/

http://www.WorldPeaceandPrayerDay.com

Mauna Kea saving the sacred

Aleticia Kyle Silverwood Tijerina, PhD and Che Jim on “Make No Bones About It. 2-22-15 from 5-5:30pm

Join Raven as he visits with Aleticia Kyle Silverwood Tijerina, PhD. about The Big Mountain Sustainable Housing Land Recovery Project .

Aleticia Kyle Silverwood Tijerina, PhD

Aleticia Kyle Silverwood Tijerina, PhD (Odawa/Irish/Italian)

Dr. Aleticia Kyle Silverwood Tijerina, joined the Red Nation movement in 1983 as a young woman.  Leaving the East Coast where she was writing plays and performing, she headed to the southwest to pursue the dream of performance art with her own indigenous peoples.  Settling in Flagstaff, Arizona, she created the El Quetzalcoatl Teatro theater troupe and became involved in the political struggle of the Dine people living in Big Mountain Arizona who were in the fight of their lives to resist relocation off their traditional lands.  In 1983, she committed to dance for four years at the Sun Dance ceremony on Big Mountain that was hosted by the family of Louise Benally.  The Chief of the Big Mountain Sun Dance is Lakota Chief Leonard Crow Dog.  The Lakota dance was being conducted to help bring strength to the grandmothers and 100 families at Big Mountain who were being forced off their land by the US government.

Today, Dr. Tijerina continues to commit herself to social justice issues which impact her own indigenous peoples through organizational development projects.  In 2014, she created the Big Mountain Sustainable Housing and Land Development Project that is raising money to support green housing on the Navajo reservation.  Louise Benally was chosen as a recipient of a broader green housing initiative led by Community Rebuilds who is spearheading a project to support indigenous social activists and others through the green housing initiative.

BIOGRAPHY

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We will be joined with Che Jim

Che Jim (Dinéh/Odawa) was born in1989 and raised in Flagstaff Arizona, son to Alan Jim and Aleticia Tijerina and a father of 2. He has been involved in traditional native ceremonies his entire life, including the Big Mountain Sundance on the land of Louise Benally. Che, along with his mother and sister, Asdzaanazbaa, formed the project in order to build eco-friendly housing to those living on the reservation.

Che is currently working as a consultant for rehabilitation programs promoting sobriety for native people through native culture and traditional teachings. He and his family travel multiple times a year to different communities around the country to help in various spiritual events and show support to those in need.

Shayne Bennett on KAOS 89.3 fm – 2-15-2015 at 4pm

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I am Māori who links to Te Arawa and Ngati Kahungnunu tribes on the North Island of New Zealand.

I have a background in Corporate IT, HR and Government services on three continents.  Born in New Zealand, I spent my formative years in Australia and now live in Canada.  I currently travel between Canada, Australia and New Zealand following my ancestors calling.

6 years ago my ancestors called me back to New Zealand to live and that is how I was shown the current healing work that I do.  I have been an energy healer for all of my life and this ability has been active in me throughout my business career as well. By following the calling of my heart space most of my healing today is remote or distant healing.  I am able to shift energies from people and land that includes trauma in this lifetime and past lives, release Family and tribal trauma passed down through generations, remove Kehua (evil spirits) from the environment and bring harmony and peace to what I connect to.

Since my early twenties I’ve connected with and studied many alternative therapies. Two were significant — LomiLomi (Hawaiian Massage) and Romiromi (Traditional Māori Healing).  Both powerful Polynesian healing modalities.   My Remote Healing work came about as an extension of my Traditional Māori Healing  practise in New Zealand.

Traditional Māori Healing is centuries old and has been passed down from generation to generation in the form of Romiromi and Mirimiri bodywork and ancient Māori teachings. Māori are the indigenous people of New Zealand and have a rich and deep cultural heritage based on their connection to the land and their spiritual beliefs. Romiromi and Mirimiri are physical bodywork treatments that focus on removing blocked energy at a cellular level, creating more space and freedom in the body. Stimulation of pressure points and deep tissue massage removes toxic waste and synchronizes the central nervous, lymphatics, cardio vascular and endocrine systems within the body. Romiromi also balances male and female energies and most importantly balances the mauri (life force) with the wairua (spirit). Blocked energy on any level can create imbalance in the body which can lead to disease. This extraneous energy can sometimes be held in the DNA or be an accumulation of held emotions in this lifetime.

Eddy Lawrence on “Make No Bones About It.” 2-1-2015 at 4pm

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Eddy Lawrence

Image from : Palmer Street Coffeehouse, Plattsburgh, New York, 2009

Born and raised in Birmingham, Alabama, Eddy Lawrence spent a decade in New York City before settling in the North Country of New York State in 1992. His songs and recordings have garnered critical praise in many publications, including Dirty Linen, Acoustic Guitar, The Village Voice, CMJ, Folk-Roots, Performing Songwriter, New Country, and Sing Out!.

Eddy has appeared at clubs, coffeehouses, and festivals across North America, both as a headliner and as an opening act for many well-known artists. These days, he performs in concert with his wife, Kim, who accompanies him on upright bass. The duo has recently released a new all-acoustic CD called “My Second Wife’s First Album”. The recording is their first together and the ninth album of Eddy’s original songs.

Eddy first gained attention in New York City’s thriving East Village music scene of the early 1980s. He got his start with the seminal NYC roots-rock band, LESR, before releasing his first solo album, “Walker County” in 1986. That LP was an acoustic homage to his home state of Alabama, recorded in his Lower East Side walk-up apartment, using sparse instrumentation: acoustic guitar, mandolin, and bass. For the next 15 years, Eddy worked the folk music circuit, playing coffeehouses, festivals, and clubs in support of the acoustic albums he was releasing. He mainly toured in the Northeastern US, but sometimes traveled farther afield and crisscrossed the US several times. “Going to Water”, released in 2001, harked back to his rock and roll days, featuring electric guitars, bass, and drums. In 2004 he released “Inside My Secret Pocket”, an album that featured both acoustic and electric material.

Shortly after the release of “Secret Pocket”, Eddy scaled back promotion of his own albums and songwriting in order to focus on producing recordings by Native American artists, several of which were released on his own Snowplow label. These CDs, which he produced, arranged, recorded, and played on, were well-received in Indian Country and two of them were nominated for Native American Music Awards (NAMMYs).

With “My Second Wife’s First Album”, Eddy has reentered the world of the singer-songwriter, returning to the acoustic sounds that first brought attention to his music back in the 1980s. Growing up in Alabama, with deep roots in the red clay of then-rural Walker County, Eddy was immersed in the old-time folk, country, blues, and bluegrass traditions that flourished there. He has called the area where he came from “the place where the Appalachians meet the Delta”, in reference to the musical melting pot that fused traditional European and African elements, spawning the folk, blues, gospel, rock, and soul music that heavily influenced popular music worldwide in the latter half of the twentieth century.

Eddy’s songs have appeared on many compilation albums, including NPR’s “Car Talk Car Tunes” and nine Fast Folk albums, which have been acquired by the Folkways division of the Smithsonian.

Venues where Eddy has performed include: The Birchmere, the Bluebird Café, The Bottom Line, Bound for Glory, Caffe Lena, Johnny D’s, Middle East Nightclub, Minstrel Coffeehouse, Ram’s Head Tavern, Roaring Brook Concerts, Vancouver Folk Music Festival (main stage) and many others.

http://www.snowplowrecords.com/

Eddy Lawrence – Bio

LIVE performance of Métis music with fiddlers Sono Hashisaki of Seattle & Jamie Fox of Montana.

Tune into KAOS Sunday Jan. 25th, 2015  from 4-6pm on “Make No Bones About It” with Raven Redbone for a LIVE performance of Métis music with fiddlers  Sono Hashisaki of Seattle & Jamie Fox of Montana.

Metis Fiddle Flyer

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 Photo by Steve Zemke.

BIO for Sono Hashisaki

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Jamie Fox – Bio

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Will also be joined by Alex Lamoureux , Metis from Canada

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Alex has been following his mom Patti around to old time dances growing up, and has always had a fiddle in his hand for as long as he can remember. Alex is currently the 4 time Manitoba fiddle Champion, 5 time Manitoba Metis fiddle champion, 2013 Grand North American fiddle champion, and has placed in the top 10 four times at the Canadian Grand Masters. Alex loves to teach, and perform regularly across Canada, and in 2010 performed at the First Medal Ceremony at the Olympics in Vancouver.

Roy Henry Vickers on the next “Make No Bones About It.” 12-14-2014 at 4:30pm

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Canadian artist Roy Henry Vickers is best known around the world for his limited edition prints. He is also an accomplished carver, design advisor of prestigious public spaces, a sought-after keynote speaker, and publisher and author of several successful books.

In addition, he is a recognized leader in the First Nations community, and a tireless spokesperson for recovery from addictions and abuse.

Roy has received many awards and honours for his art and community involvement. Among them are a hereditary chieftainship and several hereditary names he has received from Northwest Coast First Nations.

In 1994, Maclean’s magazine included Roy as the first artist ever in its Annual Honour Roll of Extraordinary Canadian Achievers. In 1998, the Province of British Columbia appointed Roy to the prestigious Order of B.C. and in 2003, Roy received the Queen’s Golden Jubilee Medal. In 2003, a video featuring Roy was part of the successful Vancouver 2010 Olympic Bid.

In 1987, at the Commonwealth Summit in Vancouver, the original of Roy’s painting A Meeting of Chiefs was the official gift of the Province of British Columbia to Queen Elizabeth II. Limited edition prints of the painting were presented to the 48 Commonwealth Heads of State.

During their Vancouver Summit in 1993, former Soviet leader Boris Yeltsin and former U.S. president Bill Clinton received artist’s proofs of Roy’s print The Homecoming as the Province’s official gift.

roy candid bio picRoy’s work can be found in private and public collections and galleries around the world including the National Museum of Man (Ottawa, Ontario), University of British Columbia’s Museum of Anthropology (Vancouver), the McMichael Canadian Art Collection (Kleinburg, Ontario) and the National Museum of Japan (Osaka).

Roy Henry Vickers was born in June 1946 in the village of Greenville, in northern British Columbia. Roy has stayed on the northwest coast of British Columbia ever since, residing at various times in Hazelton, Kitkatla, Tofino and Victoria.

Roy’s love and respect of the magnificent natural beauty of this area is clearly evident in his art. His boldly colourful sunsets, subdued misty rivers and peaceful winter scenes reflect the essence of the west coast of Canada.

Roy’s father was a fisherman with the blood of three northwest coast First Nations’ Tsimshian, Haida and Heiltsuk flowing in his veins. Roy’s mother was a schoolteacher whose parents had immigrated to Canada from England. This unusual mixed heritage has had a strong influence on Roy’s art.

Roy studied traditional First Nations art and design at the Gitanmaax School of Northwest Coast Indian Art in Hazelton.

Using these building blocks Roy, through hard work and intensive research, created his authentic and personal style of expression – a harmonious fusion of traditional and contemporary, old and new, personal and universal.

In many of his pieces, Roy uses superimposed ‘shadow images’ that add another layer of depth, history and myth to his clear, clean images. His signature Eagle Moon and various suns appear on many pieces as well.

The resulting art touches deeply and is accessible to people all over the world regardless of their background, age, beliefs or traditions.

Roy Henry Vickers Bio